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But short of a Matthew Mc Conaughey-like turnaround (and let’s not forget, much of this would have applied to him a few years back and now he’s the lead in Christopher Nolan‘s new film), we suspect it’s going to be a long time before Hollywood tries to push him as a major box-office draw again. Reynolds told Details Magazine in 2011: “I’m in a very lucky and fortunate place…I remembered walking down that very same street maybe 10 years ago, just shrouded in a sea of abject failure.
A few seasons in, the actor got his first big movie role—an extended cameo as fan favorite character Gambit in “X-Men Origins: Wolverine.” It proved to be a less auspicious start than he might have hoped, but despite the movie being terrible, the role was small enough that it didn’t harm Kitsch’s rep too much.
Indeed, quite the reverse: soon afterwards, Kitsch was cast as the title character in Andrew Stanton‘s “John Carter,” a much-anticipated Disney tentpole.
He’s reteaming with “Battleship” helmer Peter Berg for awards candidate “Lone Survivor,” he’ll be at TIFF with Don Mc Kellar‘s “The Grand Seduction,“ and is playing a gay rights activist in Ryan Murphy‘s HBO movie “The Normal Heart.“ In other words, he’s taking the baby steps into features that he skipped the first time around, and hopefully showing off some more of the acting chops his TV stint had us all convinced of, back when. With the two blockbuster failures in the past, Kitsch was finding a silver lining as he told the AP: “Maybe it’s a blessing in disguise that [it] died, and I’m not tied to these things for the next 10 years. If I want to do something in January, February, March, April, I don’t have to go through two studios to be greenlit.” Attempts At The Big Time: “American Outlaws” (2001), “Hart’s War” (2002), “Minority Report” (2002), “The Recruit” (2003), “Daredevil” (2003), “SWAT” (2003), “Alexander” (2004), “Miami Vice” (2006), “Fright Night” (2011), “Total Recall” (2012), “Dead Man Down” (2013) Where Did It All Go Wrong? T.” both made some coin, albeit not as much as he was perhaps hoping.
Farrell’s a rarity in that he’s had not one, but two shots at the big leagues, from bright young thing to comeback kid, and despite some fine performances over the years, broader audiences have consistently failed to respond to him when he’s been anointed a tentpole lead. But Farrell then headlined a pair of hugely expensive tentpoles, in “Alexander” and “Miami Vice,” and both flopped.
It was the second of the pair, however, that may prove fatal: “R. Worse, Reynolds was also the lead in animation “Turbo” the same weekend, which underperformed as well. To his credit, he’s course-correcting, looking to work with interesting filmmakers like Atom Egoyan, Marjane Satrapi, Anna Fleck and Ryan Boden, and Tarsem on upcoming projects.
Strictly speaking, neither was directly Reynolds’ fault—”Turbo” suffered from animation fatigue in the market, while Universal had no faith in “R. And we hope it works out as Reynolds is a likable presence, popular in comedies and can be very strong in smaller roles.
or take meatier character parts for noted filmmakers like Steven Soderbergh or Joe Wright, Farrell—who never really established a new persona once he shook off the hellraiser mantle—is still being pushed as a headliner.
He was to star in the since canceled “Arthur & Lancelot“ for Warner Bros., and has “Winter’s Tale“ on the way from the studio.
I had, like, a stick with a handkerchief with some dry, stale bread in it and that was all.” Attempts At The Big Time: “X-Men Origins: Wolverine” (2009), “John Carter” (2012), “Battleship” (2012), “Savages” (2012) Where Did It All Go Wrong: Poor Taylor Kitsch has, despite only a handful of credits to his name, become something of a byword for this kind of actor, after Hollywood stacked a lot of chips on him last summer, most of which they failed to recoup.
The Canadian former model had a few movie credits to his name—teen comedy “John Tucker Must Die,” “The Craft“-with-bros thriller “The Covenant” and the infamous “Snakes On A Plane“—when he was cast as running back Tim Riggins in the TV translation of “Friday Night Lights.” The series was a huge critical hit and Kitsch was an immediate standout, brooding and charismatic.
Yet despite a concerted effort that happened back there, Worthington just hasn’t ever become a bankable studio lead, and so here we are.Tags: Adult Dating, affair dating, sex dating